Frantic

Released 15th April 2002

It’s All Over Now, Baby Blue
Cruel
Goin’ Down
Goddess of Love
Don’t Think Twice, It’s Alright
Nobody Loves Me
Ja Nun Hons Pris
A Fool for Love
Goodnight Irene
Hiroshima…
San Simeon
One Way Love
I Thought

Musicians

Bryan Ferry
Vocals, Harmonica,
Keyboards

Brian Eno
Keyboards, Backing Vocals, Guitar

Reece Gilmore
Programming

Pete Glenister
Guitar

David Williams
Guitar, Bass

Martin Wheatley
Guitar

Robin Trower
Guitar

Bobby Irwin
Drums

Frank Ricotti
Percussion

Natalia Bonner
Viola

Julia Thornton
Harp
.

Robert Fowler
Alto Saxophone

Alice Retif
Backing Vocals

Stephen Granville
Backing Vocals

Lucy Kaplansky
Backing Vocals

 

Colin Good
Acoustic Piano, 
Keyboards,
String Arrangements

Paul Taylor
Keyboards, Programming

James Sanger
Programming

Mick Green
Guitar

Adam Lamprell
Guitar

D. L. Menard
Guitar, Backing Vocals

Zev Katz
Bass

Andy Newmark
Drums, Percussion

Otis Ferry
Whip Effects

Lucy Theo
Violin

Keith Thompson
Recorder, Crumhorn, Curtal, Woodwind, Oboe

Sarah Brown
Backing Vocals

Audrey Wheeler
Backing Vocals

Mary Nelson
Soprano Vocals

Patti Russo
Backing Vocals

 

Terry Disley
Keyboards
.

Ben Chapman
Programming

Eddie Lejeune
Accordion, Backing Vocals

Chris Spedding
Guitar, Sitar

David A. Stewart
Guitar

Jonny Greenwood
Guitar

Marcus Miller
Bass

Paul Thompson
Drums, Percussion

Rosie Wetters
Cello

Lucy Wilkins
Violin

Ken Smith
Fiddle, Backing Vocals
.

Kelli Dayton
Backing Vocals

Nicole Blumberg
Backing Vocals

Alison Goldfrapp
Backing Vocals

Jhelisa Anderson
Backing Vocals

Musicians

Bryan Ferry
Producer

Rick Marotta
Producer

Steve Nye
Producer / Engineer

Simon Puxley
Producer

Waddy Wachtel
Producer

Jimmy Douglas
Engineer

Lew Hahn
Engineer

Dave Richards
Assistant Engineer

Randy Mason
Assistant Engineer

Martin Pearson
Assistant Engineer

Cream
Artwork

Antony Price
Design

 

John Swannell
Photography

Brian Harris
Typography

Ahmet Ertegun
‘Counsel’

Barbara Allen
Cover Star

Anthony Clavet
Make-up

Yvonne Gold
Make-up

Frantic

There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.

Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.

The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’. 

The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.

A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.

Hal Norman – 2010

Lady in yellow dress, the set; The Bride Stripped Bare artwork

'One of Ferry's most revealing albums to date' - NME 78

LYRICS

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Quotation on This Album