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Sensation
Slave to Love
Don’t Stop The Dance
A Waste Land
Windswept
The Chosen One
Valentine
Stone Woman
Boys and Girls
Bryan Ferry
Lead Vocals, Piano, Keyboards
Chester Kamen
Guitar
Keith Scott
Guitar
Marcus Miller
Bass Guitar
Guy Fletcher
Keyboards
Jimmy Maelen
Percussion
Anne Stephenson
Strings
Fonzi Thornton
Backing Vocals
Michelle Cobbs
Backing Vocals
Lisa Fitz-Charles
Backing Vocals
David Gilmour
Guitar
Mark Knopfler
Guitar
Tony Levin
Bass Guitar
Alan Spenner
Bass Guitar
Omar Hakim
Drums
David Sanborn
Saxophone
Virginia Hewes
Backing Vocals
Ruby Turner
Backing Vocals
Yanick Etienne
Backing Vocals
Neil Hubbard
Guitar
Nile Rodgers
Lead Guitar
Neil Jason
Bass Guitar
Jon Carin
Keyboards
Andy Newmark
Drums
Martin Mccarrick
Cello
Ednah Holt
Backing Vocals
Alfa Anderson
Backing Vocals
Colleen Fitz-Charles
Backing Vocals
Simone Fitz-Charles
Backing Vocals
Bryan Ferry
Producer
Rick Marotta
Producer
Steve Nye
Producer / Engineer
Simon Puxley
Producer
Waddy Wachtel
Producer
Jimmy Douglas
Engineer
Lew Hahn
Engineer
Dave Richards
Assistant Engineer
Randy Mason
Assistant Engineer
Martin Pearson
Assistant Engineer
Cream
Artwork
Antony Price
Design
John Swannell
Photography
Brian Harris
Typography
Ahmet Ertegun
‘Counsel’
Barbara Allen
Cover Star
Anthony Clavet
Make-up
Yvonne Gold
Make-up
There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.
Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.
The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’.
The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.
A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.
Hal Norman – 2010
'One of Ferry's most revealing albums to date' - NME 78
John Doe
Quotation on This Album
John Doe