Bête Noire

Released 2nd November 1987

Limbo
Kiss and Tell
New Town
Day for Night
Zamba
The Right Stuff
Seven Deadly Sins
The Name of the Game
Bête Noire

Musicians

Bryan Ferry
Lead Vocals, Piano, Keyboards

Lew Hahn
Engineer

Dave Richards
Assistant Engineer

Randy Mason
Assistant Engineer

Martin Pearson
Assistant Engineer

Cream
Artwork

Antony Price
Design

 

John Swannell
Photography

Brian Harris
Typography

Ahmet Ertegun
‘Counsel’

Barbara Allen
Cover Star

Anthony Clavet
Make-up

Yvonne Gold
Make-up

Musicians

Bryan Ferry
Producer

Neil Hubbard
Guitars

Johnny Marr
Guitars

Abraham Laboriel
Bass

Vinnie Colaiuta
Drums

Rhett Davies
Drum Machines

Courtney Pine
Saxophone

José Libertella
Bandoneon

Michelle Cobbs
Backing Vocals

Paul Johnson
Backing Vocals

Patrick Leonard
Keyboards, Synthesizers

Dann Huff
Guitars

Bill Rupert
Guitars

Marcus Miller
Bass

Andy Newmark
Drums

Paulinho Da Costa
Percussion

Dan Wilensky
Saxophone

Luis Stazo
Bandoneon

Yanick Etienne
Backing Vocals

Albert Sanchez
Backing Vocals

 

David Gilmour
Guitars

Chester Kamen
Guitars

David Williams
Guitars

Guy Pratt
Bass

John Robinson
Drums

Jimmy Maelen
Percussion

Mario Abramovich
Violin

Tawatha Agee
Backing Vocals

Siedah Garrett
Backing Vocals

Fonzi Thornton
Backing Vocals

Bête Noire

There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.

Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.

The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’. 

The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.

A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.

Hal Norman – 2010

Lady in yellow dress, the set; The Bride Stripped Bare artwork

'One of Ferry's most revealing albums to date' - NME 78

LYRICS

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Quotation on This Album