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As Time Goes By
The Way You Look Tonight
Easy Living
I’m in the Mood for Love
Where or When
When Somebody Thinks You’re
Wonderful
Sweet and Lovely
Miss Otis Regrets
Time on My Hands
Lover, Come Back to Me
Falling in Love Again
Love Me or Leave Me
You Do Something to Me
Just One of Those Things
September Song
Bryan Ferry
Lead Vocals, Keyboards
James Sanger
Programming
Nils Solberg
Guitars
Richard Jeffries
Bass
Andy Newmark
Drums
Tobias Tak
Tap Dance
Philip Dukes
Viola
Gavyn Wright
Violin
Wilfred Gibson
Violin
Robert Fowler
Clarinet, Tenor Saxophone
Timothy Lines
Clarinet
Bob Hunt
Trombone
Colin Good
Grand Piano, Keyboards
José Libertella
Bandoneon
Phil Manzanera
Guitars
Chris Laurence
Bass
Paul Clarvis
Drums
Anthony Pleeth
Cello
Peter Lale
Viola
Abraham Leborovich
Violin
Alan Barnes
Clarinet, Tenor & Alto Saxophone
Anthony Pike
Bass Clarinet
David White
Clarinet
Enrico Tomasso
Trumpet
The Oxford Girls Choir
Choir
Cynthia Millar
Ondes Martenot
Luis Stazo
Bandoneon
Martin Wheatley
Banjo, Guitars
John Sutton
Drums
Frank Ricotti
Percussion
Hugh Webb
Harp
David Woodcock
Violin
Boguslaw Kostecki
Violin
Jim Tomlinson
Clarinet, Alto Saxophone
Nicholas Bucknail
Clarinet
Malcolm Earle Smith
Trombone
Alice Retif
Poem Reading
Bryan Ferry
Producer
Rick Marotta
Producer
Steve Nye
Producer / Engineer
Simon Puxley
Producer
Waddy Wachtel
Producer
Jimmy Douglas
Engineer
Lew Hahn
Engineer
Dave Richards
Assistant Engineer
Randy Mason
Assistant Engineer
Martin Pearson
Assistant Engineer
Cream
Artwork
Antony Price
Design
John Swannell
Photography
Brian Harris
Typography
Ahmet Ertegun
‘Counsel’
Barbara Allen
Cover Star
Anthony Clavet
Make-up
Yvonne Gold
Make-up
There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.
Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.
The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’.
The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.
A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.
Hal Norman – 2010
'One of Ferry's most revealing albums to date' - NME 78
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