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Just Like Tom Thumb’s Blues
Simple Twist of Fate
Make You Feel My Love
The Times They Are a-Changin’
All I Really Wanna Do
Knockin’ on Heaven’s Door
Positively Fourth Street
If Not for You
Baby, Let Me Follow You Down
Gates of Eden
All Along the Watchtower
Bryan Ferry
Vocals, Harmonica, Keyboards
Brian Eno
Electronics
Chris Spedding
Guitars
Mick Green
Additional Guitars
Zev Katz
Bass
Frank Ricotti
Percussion
Anthony Pleeth
Cello
Gavyn Wright
Violin
Michelle John
Backing Vocals
Tara Mcdonald
Backing Vocals
Colin Good
Pianos, String Arrangements
Isaac Ferry
Electronics
Oliver Thompson
Guitars
Robin Trower
Acoustic Guitar
Andy Newmark
Drums
Lucy Wilkins
Violin
Jon Thorne
Viola
Sarah Brown
Backing Vocals
Joy Malcolm
Backing Vocals
Paul Carrack
Organ
Leo Abrahams
Atmosphere Guitars
David Williams
Guitars
Guy Pratt
Bass
Bobby Irwin
Drums
Warren Ellis
String Arrangements
Jackie Shave
Violin
Me’sha Bryan
Backing Vocals
Anna Mcdonald
Backing Vocals
Sharon White
Backing Vocals
Bryan Ferry
Producer
Rick Marotta
Producer
Steve Nye
Producer / Engineer
Simon Puxley
Producer
Waddy Wachtel
Producer
Jimmy Douglas
Engineer
Lew Hahn
Engineer
Dave Richards
Assistant Engineer
Randy Mason
Assistant Engineer
Martin Pearson
Assistant Engineer
Cream
Artwork
Antony Price
Design
John Swannell
Photography
Brian Harris
Typography
Ahmet Ertegun
‘Counsel’
Barbara Allen
Cover Star
Anthony Clavet
Make-up
Yvonne Gold
Make-up
There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.
Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.
The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’.
The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.
A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.
Hal Norman – 2010
'One of Ferry's most revealing albums to date' - NME 78
John Doe
Quotation on This Album
John Doe