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It’s All Over Now, Baby Blue
Cruel
Goin’ Down
Goddess of Love
Don’t Think Twice, It’s Alright
Nobody Loves Me
Ja Nun Hons Pris
A Fool for Love
Goodnight Irene
Hiroshima…
San Simeon
One Way Love
I Thought
Bryan Ferry
Vocals, Harmonica,
Keyboards
Brian Eno
Keyboards, Backing Vocals, Guitar
Reece Gilmore
Programming
Pete Glenister
Guitar
David Williams
Guitar, Bass
Martin Wheatley
Guitar
Robin Trower
Guitar
Bobby Irwin
Drums
Frank Ricotti
Percussion
Natalia Bonner
Viola
Julia Thornton
Harp
.
Robert Fowler
Alto Saxophone
Alice Retif
Backing Vocals
Stephen Granville
Backing Vocals
Lucy Kaplansky
Backing Vocals
Colin Good
Acoustic Piano, Keyboards,
String Arrangements
Paul Taylor
Keyboards, Programming
James Sanger
Programming
Mick Green
Guitar
Adam Lamprell
Guitar
D. L. Menard
Guitar, Backing Vocals
Zev Katz
Bass
Andy Newmark
Drums, Percussion
Otis Ferry
Whip Effects
Lucy Theo
Violin
Keith Thompson
Recorder, Crumhorn, Curtal, Woodwind, Oboe
Sarah Brown
Backing Vocals
Audrey Wheeler
Backing Vocals
Mary Nelson
Soprano Vocals
Patti Russo
Backing Vocals
Terry Disley
Keyboards
.
Ben Chapman
Programming
Eddie Lejeune
Accordion, Backing Vocals
Chris Spedding
Guitar, Sitar
David A. Stewart
Guitar
Jonny Greenwood
Guitar
Marcus Miller
Bass
Paul Thompson
Drums, Percussion
Rosie Wetters
Cello
Lucy Wilkins
Violin
Ken Smith
Fiddle, Backing Vocals
.
Kelli Dayton
Backing Vocals
Nicole Blumberg
Backing Vocals
Alison Goldfrapp
Backing Vocals
Jhelisa Anderson
Backing Vocals
Bryan Ferry
Producer
Rick Marotta
Producer
Steve Nye
Producer / Engineer
Simon Puxley
Producer
Waddy Wachtel
Producer
Jimmy Douglas
Engineer
Lew Hahn
Engineer
Dave Richards
Assistant Engineer
Randy Mason
Assistant Engineer
Martin Pearson
Assistant Engineer
Cream
Artwork
Antony Price
Design
John Swannell
Photography
Brian Harris
Typography
Ahmet Ertegun
‘Counsel’
Barbara Allen
Cover Star
Anthony Clavet
Make-up
Yvonne Gold
Make-up
There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.
Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.
The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’.
The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.
A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.
Hal Norman – 2010
'One of Ferry's most revealing albums to date' - NME 78
John Doe
Quotation on This Album
John Doe