As Time Goes By

Released 25th October 1999

As Time Goes By
The Way You Look Tonight
Easy Living
I’m in the Mood for Love
Where or When
When Somebody Thinks You’re
Wonderful
Sweet and Lovely
Miss Otis Regrets
Time on My Hands
Lover, Come Back to Me
Falling in Love Again
Love Me or Leave Me
You Do Something to Me
Just One of Those Things
September Song

Musicians

Bryan Ferry
Lead Vocals, Keyboards

James Sanger
Programming

Nils Solberg
Guitars

Richard Jeffries
Bass

Andy Newmark
Drums

Tobias Tak
Tap Dance

Philip Dukes
Viola

Gavyn Wright
Violin

Wilfred Gibson
Violin

Robert Fowler
Clarinet, Tenor Saxophone

Timothy Lines
Clarinet

Bob Hunt
Trombone

Colin Good
Grand Piano, Keyboards

José Libertella
Bandoneon

Phil Manzanera
Guitars

Chris Laurence
Bass

Paul Clarvis
Drums

Anthony Pleeth
Cello

Peter Lale
Viola

Abraham Leborovich
Violin

Alan Barnes
Clarinet, Tenor & Alto Saxophone

Anthony Pike
Bass Clarinet

David White
Clarinet

Enrico Tomasso
Trumpet

The Oxford Girls Choir
Choir

 

Cynthia Millar
Ondes Martenot

Luis Stazo
Bandoneon

Martin Wheatley
Banjo, Guitars

John Sutton
Drums

Frank Ricotti
Percussion

Hugh Webb
Harp

David Woodcock
Violin

Boguslaw Kostecki
Violin

Jim Tomlinson
Clarinet, Alto Saxophone

Nicholas Bucknail
Clarinet

Malcolm Earle Smith
Trombone

Alice Retif
Poem Reading

Musicians

Bryan Ferry
Producer

Rick Marotta
Producer

Steve Nye
Producer / Engineer

Simon Puxley
Producer

Waddy Wachtel
Producer

Jimmy Douglas
Engineer

Lew Hahn
Engineer

Dave Richards
Assistant Engineer

Randy Mason
Assistant Engineer

Martin Pearson
Assistant Engineer

Cream
Artwork

Antony Price
Design

 

John Swannell
Photography

Brian Harris
Typography

Ahmet Ertegun
‘Counsel’

Barbara Allen
Cover Star

Anthony Clavet
Make-up

Yvonne Gold
Make-up

As Time Goes By

There’s no winning over some people. Criticised in many quarters of the rock press during the reign of sincere Californian troubadours for the aloof, detached persona he had cultivated with Roxy Music, Bryan Ferry delivered his most emotionally unfettered album only to find himself derided by the same faces, now in thrall to safety pins and brash attitudes.

Mature, urbane, intellectual and vulnerable, this iteration of the Ferry persona was simply not compliant with the mainstream narrative of the time: young, loud and snotty. As a result, The Bride Stripped Bare easily qualifies as the most underrated LP in the Ferry canon, and is certainly ripe for a fresh appraisal by modern ears.

The album itself was the product of a difficult personal period for the singer. After his high-profile relationship with Jerry Hall came to an end at the end of 1977, Ferry decamped to Montreux, Switzerland to begin work on his fifth solo album. Ferry eschewed most of his regular session associates, instead using a fixed core consisting of new faces (Waddy Wachtel, Alan Spenner and Rick Marotta) with a few of his In Your Mind touring group (Ann Odell, Nei Hubbard); Bass legend Herbie Flowers even drops by to add a sumptuous heft to the magnificently morose ‘When She Walks In The Room’. 

The result is a dark, wonderful album that departs from the warm productions of previous releases to create a stark and lovelorn suite of songs in which Bryan Ferry lets the mask of languor slip to reveal his unfettered emotional truth. In this environment, even the refrain in the Sam & Dave barnstormer ‘Hold On (I’m Coming)’ is twisted into a sombre paean filled with pathos.

A late night classic, The Bride Stripped Bare is a crepuscular treat for the ears and is an absolute must for Bryan Ferry fans old and new.

Hal Norman – 2010

Lady in yellow dress, the set; The Bride Stripped Bare artwork

'One of Ferry's most revealing albums to date' - NME 78

LYRICS

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Quotation on This Album